Åsa Grennvall is back with a sequel to the critically acclaimed Deras ryggar luktade så gott (Their backs smelled so good). In a sense, this book starts right where the previous one ended and deals with how Grennvall starts her own family and how this leads to her finally dealing with the relationship with her dad and his (non-existent) role as a father. It is, as always with Grennvall’s comics, emotionally exhausting to read, and you just want to beat up her seemingly emotionally crippled father for what he has done and not done during Grennvall´s childhood. But the book also contains a great deal of warmth and optimism in the new-found family life, which makes reading the story bearable although it fittingly enough ends with a discussion between the character Åsa and Death … Grennvall is one of the sharpest, most personal comics artists we have in Sweden, and her last two graphic novels are among the best, most literary ever made in Sweden.
The second graphic novel with Li Österberg’s contemporary take on the Greek gods, and a much better, more coherent story than that in the first, Nekyia. We here follow the young woman Persefone, a minor goddess who is the daughter (and granddaughter…) of the god Zeus and the goddess Demeter. Persefone is a goddess, but is very much depicted like a woman of flesh and blood, and her thoughts and feeling feels more based in the modern world than in ancient Greece.
An extremely strong reading experience about a young Moroccan who is forced away from his little family to try to earn money in Europe. The Finn Tietäväinen takes his time to let us get to know the main character and his reality so that the reader really cares about what will happen to him, and he has also spent a lot of time doing research on the Moroccans’ situation, both domestically and in Spain, where many of them get stuck, more or less as slaves in various shady industries.
A beautiful graphic novel about dying of cancer, not a heroic fight and win over the decease, but actually dying from it. We follow David who learns that he has throat cancer, his adult daughter who recently had a baby, his new young wife and their young daughter – and see how the disease unfolds from different perspectives. It’s beautiful, sad and poignant – and very well told. Despite the topic, it never gets sugary sweet, and the images are evocative and very personal in style.