The second volume of the Spirou writer and artist Tome’s crime comic Soda. This is an improvement compared to the first volume, both in terms of the script and the art. The story mostly comprises of a flashback, a so-called origin story, in which we get to know why the protagonist became a police officer but insists on pretending that he is a priest to his worried mother. This story has some pretty big logical holes in it but it is entertaining, not least thanks to all the depraved inhabitants of the dilapidated house the main character lived in when he arrived to New York. Had this series been published when I was a kid and devoured everything that was published in the French-Belgian album format, I probably would have loved it. Today, several decades later, this comic feels historically interesting as it colours my perception of Tome & Janry’s Spirou, but it is probably mostly my love for the Marcinelle style that has me reaching for the next volume.
All posts tagged Crime
The first volume of the Spriou artist and writer Tome’s “other” album series, Soda. In France, there are so far thirteen albums since the debut in the late 1980s and the comic is on its third artist by now. Soda is based on the standard story about the not too clever but honest and energetic New York Police officer who solves cases by running, jumping and chasing around. Positive, non-stereotypical traits in this, the very first volume is the fact that the main character lives with his elderly mother and in order to to reassure her dresses up as a priest each time he goes home, and that one of the more important supporting characters is a strong and intelligent woman. Warnant’s drawings end up on the slightly more realistic side of the scale for Marcinelle-artist, but a Janry (the artist working with Tome on the Spriou series), he is not…
An entertaining book for those of us who have read a Swedish crime novels, or seen a version on TV, which should by now include most of the world’s population … This is a variation on Lange’s winning concept to summarise novels and movies in three very concise panels, and the book also contains a number of these patented short versions of classic Swedish crime novels. Most of the book consists, however, of a tongue in cheek look at the genre, with an overview of all the clichés you have to use as well as advice on how to build a career as a writer of detective novels, including advice to always include food in the stories so that you can then write the obligatory cooking book, participate in cooking programs on TV and so on.