Probably my favorite Bilal painting from the Lovre exhibition, where he has painted a face inside an ancient helmet. The texts are, as I understand it, mock dokumentary notes on the people who has become ghosts, made in the Louvre’s style of signs for their artifacts.

Probably my favorite Bilal painting from the Lovre exhibition, where he has painted a face inside an ancient helmet. The texts are, as I understand it, mock dokumentary notes on the people who has become ghosts, made in the Louvre's style of signs for their artifacts.

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